THE FIRMAMENT OF TIME
even ceaseless transformation…the correlation of incidental detail
within the overall picture was finely
controlled…expressive immediacy" (classicalsource.com)
a trajectory through space, in and out of clouds, past galaxies and through
constellations." (Sara Mohr-Pietsch on Hear and Now, BBC Radio3)
LA SETTIMA BOLGIA
"...always in fluctuating, often turbulent motion...brilliantly scored."
"A firm sense of direction...vividly imagined and realised."
piece of many layers, shades, contrasts and transformations, as
unpredictable as quicksilver, and just as captivating in its elusive manner"
"Austere, delicate patterns..."
"Sparkling fragments of dialogue tossed about in explosive
flashes...constantly changing mood (The Times)
ENSEMBLE MUSIC FOR SIX
".. cunningly evoked the terrifying
conception of a lilting lullaby, and the darkness behind its apparent innocence."
(Robert Saxton on Music in Our Time, BBC Radio 3)
"..ranged from deeply lyrical solos to frenzied 'Pierrot Lunaire' atmospheres, encapsulating in music
one could associate with nocturnal adventure. Most definitely the highlight...successfully captivated the
"..an accomplished work"
"..discipline and formal simplicity
expressive, like neo-classical Stravinsky." (The Times)
moves between expressive solos, collective delirium, bucolic poetry and
the grotesque... a very diverse and lively piece... music which reflects
an affable social evening, at which three capricious characters engage in
either soloistic or collective singing, in animated discussion or turbulent
dispute with one another.
NEBULAE AND EPISODES
"...as the music breathed gently...it found an elusive dialogue..."
"..made a strong case for further airings."
"..a taught and well pointed structure, and sonorities that were never arbitrary
or redundant." (The Guardian)
melancholic work." (Bunder Tagblatt, Chur, Switzerland)
DOUBLE BASS AND HARP
crafted... a vivid image of sound" (Neue
"..highly entertaining, brilliantly written,
captivating virtuosity." (Dreh Punkt Kultur,
music is full of colour, contrast and expression...[the] sense of the music
working on multiple levels simultaneously is achieved without overcomplicating
the material, and the expression never suffers...very much a piece with a
meaning which has much to offer both the player and the listener...an excellent
(PAN, journal of the British Flute Society)
PIECES FOR PIANO
imaginative, modern and very playable." (PIANOnews,
"A substantial piece, palpably honest in its music-making and most effectively
written for the instrument...an ambitious piece..." (Tempo)
"A collection of six meticulously elaborate miniatures of varying
length and style; fragment to sophisticated character piece, of considerable compositional diversity.... The first volume of
these imaginative micro-pieces [nos.1-6] shows the hand of an experienced
and professional composer." (Neue Musikzeitung)
core idea is formed very aptly, but lets you feel free to respond."
gesturally rich and technically demanding solo piece with brilliant passagework...lively
rhythms. The professional cellist reveals himself in the idiomatic instrumental
atonal, striving, reflective..." (Independent)
"...extremely appealing and sensitive...a gratifying work to sing and hear...the
vocal writing is beautifully supple and idiomatic throughout the piece." (Jane
Manning in New Vocal Repertory [pub: OUP])
text of Blake
is translated into wide, freely
swaying melodic lines."
"...short but powerful..."